Deconstruction and Criticism

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Each student is to write two papers about pages in length. The first paper should deal with deconstruction as literary or art criticism. The paper could offer a deconstructive reading of a text or painting; it could focus on the practice of deconstruction in literary and art criticism; it could show how deconstruction is postmodern; etc. The second paper should take up how deconstruction is practiced as ethical and political criticism.

Deconstruction and Criticism - 1979 - Miller, Bloom, De Man, Derrida(1)

The paper could show how deconstruction offers ways to think ethically or politically, how it is postmodern in practice, how it offers effective ways of dealing with contemporary ethical or political concerns. The two papers may be interrelated or independent of one another. Each member of the seminar will prepare a protocol for one or two of the seminar sessions depending on the number of seminar participants.

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The person responsible for a particular week will write up an account of what transpired in class the previous week and will make a copy available to each of the members of the seminar prior to the beginning of class. The protocol for a particular week will be discussed at the outset of the seminar.

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This will give everyone an opportunity to review what transpired in the previous session and to raise any lingering issues or topics that were not sufficiently treated when first presented. Supplementary readings:. On the Content tab, click to select the Enable JavaScript check box.

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Under the header JavaScript select the following radio button: Allow all sites to run JavaScript recommended. Prices and offers may vary in store. Five essential and challenging essays by leading post-modern theorists on the art and nature of interpretation: Jacques Derrida, Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller.

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